To represent that concept, we portray 6 characters as 6 blank canvas. The pallor of their skins reminds the lack of polychromy and statism of the sculptures from the classical greek and roman art. Each model tries to capture an attitude, a frozen expression in time. In front of the models, the shapes that deconstruct and frame each face are the brushstrokes that bring color to each situation.
With this process, we fuse the organics from the human anatomy with the artificial and plastic-look that comes from the installation’s polychromed shapes. The project is, at the same time, inspired in 80’s illustrators works that composed faces starting from geometric shapes like: Peter Sato, Noriyuki Tanaka, Akio Miyake, Yukio Kitta, Peret or Susan Pizzo. Also photographers like Erwin Blumenfeld, who experimented with tinted translucent materials that projected color on his models, or Terry Jones, a graphic designer who created several covers for the i-D magazine.
The result is more than 50 wooden and methacrylate shapes suspended in 6 installations previously adapted to each one of the 6 faces.